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Rassegna bibliografica
Medioevo

Modes of Authorship in the Middle Ages, edited by Slavica Rankovic´ with Ingvil Brügger Budal, Aidan Conti, Leidulf Melve, and Else Mundal

G. Matteo Roccati
p. 339
Notizia bibliografica:

Modes of Authorship in the Middle Ages, edited by Slavica Rankovic´ with Ingvil Brügger Budal, Aidan Conti, Leidulf Melve, and Else Mundal, Toronto, Pontifical Institute of Mediaeval Studies, 2012 («Papers in Mediaeval Studies», 22), pp. 428.

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1Le volume est issu d’un colloque qui s’est tenu a l’Université de Bergen en novembre 2008, il rassemble une vingtaine de contributions distribuées en cinq parties: I: Models of Authorship, Authoring of Models, II: Medieval Authorship: Theories and Practices, III: Modes of Authorship in Old Norse Literature, IV: Scribes, Redactors, Translators, and Compilers as Authors, V: Medieval Authorship: Arts and Material Culture.

2Dans le cadre de la rassegna on retiendra plus particulièrement l’Introduction par Slavica Rankovic´ (pp. 1-14), qui présente l’ouvrage, et les articles de la première partie à caractère théorique: Atle Kittang, Authors, Authorship, and Work: A Brief Theoretical Survey, pp. 17-29; Michael D.C. Drout, “I am large, I contain multitudes”: The Medieval Author in Memetic Terms, pp. 30-51 (“memes”: “small, replicating entities that together create traditions” (p. 31)); Slavica and Milos Rankovic´, The Talent of the Distributed Author, pp. 52-75. On signalera également les articles portant sur des auteurs liés en quelque manière à l’aire française: P.M. Mehtonen, The Apophatic First-Person Speaker in Eckhart’s Sermons, pp. 79-96; Sigbjørn Olsen Sønnesyn, Obedient Creativity and Idiosyncratic Copying: Tradition and Individuality in the Works of William of Malmesbury and John of Salisbury, pp. 113-132; Leidulf Melve, “…to distil the excellence of their genius”: Conceptions of Authorship in Eleventh- and Twelfth-Century Polemical Literature, pp. 133-150; Mia Münster-Swendsen, Irony and the Author: The Case of the “Dialogues” of Lawrence of Durham, pp. 151-171; Greti Dinkova-Bruun, Corrector Ultimus”: Aegidius of Paris and Peter Riga’s “Aurora”, pp. 172-189; Aidan Conti, Scribes as Authors, Transmission as Composition: Towards a Science of Copying, pp. 267-288; Ingvil Brügger Budal, Visible Stratification in a Medieval Text: Traces of Multiple Redactors in a Text Extant in a Single Manuscript, pp. 309-324 (sur les Strengleikar, collection de traductions de lais français). Le volume est complété par l’Index (pp. 414-427).

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Notizia bibliografica

G. Matteo Roccati, «Modes of Authorship in the Middle Ages, edited by Slavica Rankovic´ with Ingvil Brügger Budal, Aidan Conti, Leidulf Melve, and Else Mundal»Studi Francesi, 176 (LIX | II) | 2015, 339.

Notizia bibliografica digitale

G. Matteo Roccati, «Modes of Authorship in the Middle Ages, edited by Slavica Rankovic´ with Ingvil Brügger Budal, Aidan Conti, Leidulf Melve, and Else Mundal»Studi Francesi [Online], 176 (LIX | II) | 2015, online dal 01 août 2015, consultato il 28 mars 2024. URL: http://journals.openedition.org/studifrancesi/718; DOI: https://doi.org/10.4000/studifrancesi.718

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