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Rassegna bibliografica
Medioevo

Speaking to the Eye. Sight and Insight through Text and Image (1150-1650), eds. Thérèse de Hemptinne, Veerle Fraeters, and María Eugenia Góngora

G. Matteo Roccati
p. 498
Notizia bibliografica:

Speaking to the Eye. Sight and Insight through Text and Image (1150-1650), Edited by Thérèse de Hemptinne, Veerle Fraeters, and María Eugenia Góngora, Turnhout, Brepols, 2013, «Medieval Identities: Socio-Cultural Spaces» 2, xx-312 pp.

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1Un article liminaire (Veerle Fraeters and Jürgen Pieters, The Mediating Power of Images and Texts: The Dynamics of Sight and Insight in Medieval and Early Modern Literature and Art, pp. 1-14) présente le volume, qui comprend une dizaine de contributions et est articulé en trois parties dont les titres sont respectivement: «Spiritual Vision», «Text and Image Interactions», «Agency of Pictures». Dans le cadre de la rassegna on retiendra plus particulièrement quelques contributions d’intérêt general: sur l’aspect visuel de la pensée chez les victorins (Ineke Van ‘T Spijker, Image of Thought: Hugh of Saint-Victor and Richard of Saint-Victor on Thinking, pp. 17-46), la visualisation du spirituel chez Henri Suso (José Van Aelst, Visualizing the Spiritual: Images in the Life and Teachings of Henry Suso (c. 1295-1366), pp. 129-151), et sur trois exemples d’expériences visionnaires: María Eugenia Góngora, Seeing and Knowing, Reading and Imagining in the “Liber divinorum operum” by Hildegard of Bingen, pp. 49-63; Veerle Fraeters, The Appearance of Queen Reason: Construction and Pragmatics of the Imagery in Vision 9 of Hadewijch, pp. 65-94; Jeroen Deploige, How Gendered was Clairvoyance in the Thirteenth Century? The Case of Simon of Aulne (un frère convers cistercien), pp. 95-126. On signalera également un article sur les psautiers realisés dans le contexte de la devotio moderna (Youri Desplenter, Programming Women’s Prayer: Textual and Pictorial Components in Middle Dutch Psalters, pp. 153-172), et une étude qui concerne une chronique française relatant l’histoire de l’abbaye premontrée de Floreffe près de Namur. Pour justifier son oeuvre, l’auteur, Simon Fau, recourt largement dans le prologue aux formes de la tradition allégorique (Steven Vanderputten, The Cloaked Lady of Floreffe: Allegorizing Monastic History in the Fifteenth-Century “Chronique de Floreffe” (Brussels, Royal Library, 18064-69), pp. 173-210). Index aux pp. 305-311.

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Notizia bibliografica

G. Matteo Roccati, «Speaking to the Eye. Sight and Insight through Text and Image (1150-1650), eds. Thérèse de Hemptinne, Veerle Fraeters, and María Eugenia Góngora»Studi Francesi, 180 (LX | III) | 2016, 498.

Notizia bibliografica digitale

G. Matteo Roccati, «Speaking to the Eye. Sight and Insight through Text and Image (1150-1650), eds. Thérèse de Hemptinne, Veerle Fraeters, and María Eugenia Góngora»Studi Francesi [Online], 180 (LX | III) | 2016, online dal 01 janvier 2017, consultato il 28 mars 2024. URL: http://journals.openedition.org/studifrancesi/5222; DOI: https://doi.org/10.4000/studifrancesi.5222

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